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If you wish to use a poem or any part |
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Prayer
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photosynthesis
it would curl and slither and sprout I mean I don’t know about you but my upper arms hunger I long for (published in Equinox Literary Journal, 2008) |
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"Light in the Jungle" |
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the turkeys are here again! they’re so close I feel I must know their names. recess they wander askew. my sweet dog quakes-- silent through sirens and bells, she howls a savage din all this clamor the reminds breathe breathe again
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peace rally 2003
The Senior Center started it. Saturday morning by the old stone church It was 17 degrees before the wind blew tears There was an old woman on my left. A younger woman held our flag “Drop Bush Not Bombs” We were up against it I thought. A thousand hands waved A half hour had passed. Hardly After a while it was just too cold In the land of the free.
(published in Equinox Literary Journal, 2008)
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Happiness
I know how the world is saved. It’s not what you might think: angels, archangels, the whole big gang swooping down in triumphant raptures of light -- blazing wings beating back the darkness
while those who prayed sincerely for just this occasion are snatched up – maybe a few artists, dogs, well-mannered children plucked up too for good measure. Perhaps you picture the cheerful group carried off
to a small new mountain where everyone can rest for awhile, wobbly and slightly dazed, but shimmering, transformed, breathing out.
Ah, but this is not what happens.
Consider, rather, a young boy knocking at the door.
There is something he holds, tightly cupped inside his palms. He is pink with cold and excitement and his eyes are two bright beams of delight. And as you open the door (he undoubtedly hoping that you don’t recall his name, but you do), you notice the Buddha almost buried under the snow, gaze gracefully settled
on you, the boy and whatever he’s got hidden in his hands, the surprise.
“Happy Easter” the boy says and offers it to you.
The egg is beautiful, weightless, broken. You can see the tiny ragged pieces, the clear tape holding them and when he places the shell in your hands it is so perfect that the air expands around you and there is no sound
only the breaths, the delicate puffs floating up to the sky.
Then your old dog sniffs beside you. Then the crow calls once or twice from the dense trees, and you remember that you are still here on earth, though the air has just now completely dissolved into light.
And there are two small objects inside the egg. Their tin foil wrapping shines through the cracks, and it’s true that the contents seem a little squished.
But it doesn’t matter what’s inside. Can he not see that
you are standing there shimmering, new, already transformed by a gift from the soft pink happiness of the world?
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night dream
tonight again
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Visiting Harriet at 95
HELLO
How nice to see you! Shall we have our tea on the porch? At last, the sun is out! Now tell me, all about YOU.
Yes. There is a story about that I want to tell you. Perhaps we can go to the garden.
We once looked for bluebirds, in the earliest Spring before the swallows built their nests in the barn. Now tell me, about the life you love. Did you, too, once march in the streets, singing?
Shall we go to the garden now? We’ll pick raspberries And feel the land in the afternoon light. Perhaps I’ll sketch the old oak with my old blind eyes.
Sit with me, in the garden. Are the swallows here? The corn will be ready soon. Do you think the soul is forever?
Let’s read about the peonies again. I want to fill my arms again with the white and pink flowers. And I want to hear about the egrets, stepping lightly over things.
How I do love this world.
Stay for a while, in the garden. A sweater is perfect for me. Are you warm enough?
HELLO
I’m too old. I’d like to speak with God about that. But right now I want to hear everything about you.
The morning light in the garden is very beautiful.
(Read at the Memorial Service for Harriet Elliston, first Radcliffe College anthropology graduate in 1928, world traveler, lifelong social & community activist who marched with Martin Luther King. Conservationist, naturalist, professional gardener, farmer, artist, master storyteller, devoted wife, mother & grandmother.) The follwing is an excerpt from a bio I wrote for her, on the occasion of an exhibit of her watercolor paintings I co-curated with her grandaughter, Lelia Orrell Elliston: In fact, Harriet is an artist in the true sense of the word. Her human rights activism, deep commitment to family and community, her dedication to conservation, the environment, farming and gardening are sustained by an intellectual intensity and devotion to belief which exemplify the creative life. Thank you, dearest Harriet. You will always be in the light. _______________________________________ |
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